British Abstract Art
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ReservedDavid Evans (1929–1988):
Exploiting the Planet, circa 1980
Framed (ref: 8087)
Watercolour
Signed
29 ½ x 48 ½ in. (75 x 123 cm)
See all works by David Evans watercolour Canney Abstract Art landscape transport Evans David Evans (1929-1988) — The Period Charm of Thatcher's Britain David Evans at Young Gallery
Provenance: The Artist's Studio
Literature: "David Evans (1929-1988)", edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, 2017. ISBN 978-0-9930884-6-9. Cat 126, page 164 - 165.
Evans was an ardent campaigner and environmentalist. His landscapes mirror a country-side in flux, moving from traditional small holdings to the large open fields created by modern farming methods. His compositions are often unpopulated - alternatively they are occupied variously by farmers, soldiers, workmen, and the occasional rambler.
When in his native Suffolk, activities around Potash Farm (where he lived from 1969 onwards), provided a wealth of subjects: Potash Garden (1978); Cabbage Pickers (1981-20; Flower Garden (1981-2); The Allotment (1986); Crown Imperial (1988); Geraniums (1981-2); Gladioli, Daffodils (1986); Irises; Apples (1986); Pumpkins (1986);The Marrow Family; Cabbages; Cows Come Home (1981); Friesians; Cows XII; Piglets; Seagulls; Tour d’Anglia; Suffolk Scrap; Ruralia Mddx; Wessex; Suffolk Landscape (1979); Ipswich.
When in his native Suffolk, activities around Potash Farm (where he lived from 1969 onwards), provided a wealth of subjects: Potash Garden (1978); Cabbage Pickers (1981-20; Flower Garden (1981-2); The Allotment (1986); Crown Imperial (1988); Geraniums (1981-2); Gladioli, Daffodils (1986); Irises; Apples (1986); Pumpkins (1986);The Marrow Family; Cabbages; Cows Come Home (1981); Friesians; Cows XII; Piglets; Seagulls; Tour d’Anglia; Suffolk Scrap; Ruralia Mddx; Wessex; Suffolk Landscape (1979); Ipswich.
